The Beauties of Modern Literature, in Verse and Prose: To which is Prefixed, a Preliminary View of the Literature of the AgeSherwood, Jones, and Company, 1824 - 484 pages The preliminary view is chiefly a comparison of classical and romantic poetry. |
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Autres éditions - Tout afficher
The Beauties of Modern Literature, in Verse and Prose: To which is Prefixed ... Martin MacDermot Affichage du livre entier - 1824 |
The Beauties of Modern Literature, in Verse and Prose: To which is Prefixed ... Martin MacDermot Affichage du livre entier - 1824 |
The Beauties of Modern Literature, in Verse and Prose: To Which Is Prefixed ... Martin Macdermot Aucun aperçu disponible - 2018 |
Expressions et termes fréquents
acquainted admiration ancient angel appear beauty beneath bosom breath bright called Camoens cause character charms classical school corpulence critics dance dark death delight dream earth effect English expression fancy Faust fear feeling fire genius happy heart heaven Homer honour human idea imagination imitation ladies language light literature London London Magazine Lord Lord Byron Lorenzo de Medici Lusiad Madame de Staël Magazine mind modern Monxton nature ne'er Ned Ward never night o'er object observed opinion passion patriotic perceive Petrarch pleasure poem poet poetic poetry Pope Portuguese possess present produced racter reader reason romantic romantic poetry round Salvator Rosa scene sentiments Shakspeare sigh smile song soul spirit style sublime sweet sympathy taste thee Thessaly thing thou thought tion truth Turgesius Vasco Vasco da Gama wave words writers young youth
Fréquemment cités
Page xviii - Revenge, revenge, Timotheus cries, See the Furies arise! See the snakes that they rear How they hiss in their hair, And the sparkles that flash from their eyes!
Page 243 - Let me not to the marriage of true minds Admit impediments, love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand'ring bark, Whose worth's unknown, although his height be taken.
Page xviii - Now strike the golden lyre again: A louder yet, and yet a louder strain ! Break his bands of sleep asunder And rouse him like a rattling peal of thunder. Hark, hark ! the horrid sound Has raised up his head : As awaked from the dead, And amazed he stares around. Revenge, revenge...
Page 418 - Say, Father Thames, for thou hast seen Full many a sprightly race Disporting on thy margent green The paths of pleasure trace; Who foremost now delight to cleave With pliant arm, thy glassy wave? The captive linnet which enthral? What idle progeny succeed To chase the rolling circle's speed, Or urge the flying ball?
Page 128 - ALL worldly shapes shall melt in gloom, The Sun himself must die, Before this mortal shall assume Its immortality ! I saw a vision in my sleep, That gave my spirit strength to sweep Adown the gulf of Time ! I...
Page 478 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf; And that which should accompany old age, As honour, love, obedience, troops of friends...
Page 129 - What though beneath thee man put forth His pomp, his pride, his skill ; And arts that made fire, flood, and earth, The vassals of his will ; — Yet mourn I not thy parted sway, Thou dim discrowned king of day...
Page 477 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels trumpet-tongued against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
Page 50 - The lark, his lay who thrill'd all day, Sits hush'd his partner nigh ; Breeze, bird, and flower, confess the hour, But where is County Guy ? " The village maid steals through the shade, Her shepherd's suit to hear ; To beauty shy, by lattice high, Sings high-born Cavalier.
Page xxix - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...