...by the waiul of an enchanter, rather than reared by human hands. Myst. of Udol. v. Í. p. 34. Byron. He who hath bent him o'er the dead, Ere the first day of death is fled, ite. See the rest of this beautiful passage, »s far as Such is the aspect of this shore, Tis Greece,...

...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first day of'-death is fled ; The first dark day of nothingness, The last, of danger and distress ; (Before Decay's...

...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. ' He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, The last of danger and distress ; ( Before Decay's effacing fingers I lave swept the lines where beauty...

...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. " He who hath bent him o'er the dead, Ere, the first...death is fled;" The first dark day of nothingness, The last of danger and distress; (Before Decay's effacing fingers Have swept the lines where beauty...

...consul at Athens. — FORT FOLIO. Receives him by the lovely light That bent becomes an eastern night. He who hath bent him o'er the dead, Ere the first...death is fled; The first dark day of nothingness, The last of danger and distress; (Before Decay's effacing fingers Have swept the lines where Beauty...

...delight; and we cannot refrain from quoting the following highly wrought and characteristic specimen. ' He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, The last of danger and distress ; (Before Decay's effacing fmgers Have swept the lines where beauty...

...on an eastern audience, and of the grotesque declamation and gestures of the Turkish story-teller. ' He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, The last of danger and distress; (Before Decay's effacing fingers Have swept the lines where beauty...

...shore, Rush the night-prowlers on the prey, And turn to groans his roundelay.! i>. 3. V<», X. Tt ' He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, The last of danger and distress ; (Before Decay's effacing fingers Have swept the lines where beauty...

...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, The last of danger and distress ; (Before Decay's effacing fingers Have swept the lines where beauty...

...as a child sleeps, and so passed away. His last appearance was like that described by the poet — " He who hath bent him o'er the dead Ere the first day of death is fled, Before Decay's effacing fingers Have swept the lines where beauty lingers, And marked the mild, angelic...