PREFACE. As the occasion of this Poem was real, not fictitious; so the method pursued in it was rather imposed by what spontaneously arose in the Author's mind on that occasion, than meditated or designed. Which will appear very probable from the nature of it. For it differs from the common mode of poetry; which is, from long narrations to draw short morals. Here, on the contrary, the narrative is short, and the morality arising from it makes the bulk of the Poem. The reason of it is, that the facts mentioned did naturally pour these moral reflections on the thought of the Writer. THE COMPLAINT. NIGHT I. ON LIFE, DEATH AND IMMORTALITY. TO THE RIGHT HON. ARTHUR ONSLOW, ESQ. SPEAKER OF THE HOUSE OF COMMONS. TIRED Nature's sweet restorer, balmy sleep! Swift on his downy pinion flies from woe, And lights on lids unsullied with a tear.) 5 From short (as usual) and disturb'd repose I wake: how happy they who wake no more! Yet that were vain, if dreams infest the grave. I wake, emerging from a sea of dreams Tumultuous; where my wreck'd, desponding thought 11 From wave to wave of fancied misery At random drove, her helm of reason lost. Though now restored, 'tis only change of pain, 15 Night, sable goddess! from her ebon throne, 20 25 And let her prophecy be soon fulfill'd Fate! drop the curtain; I can lose no more. Silence and Darkness! solemn sisters! twins From ancient Night, who nurse the tender though To Reason, and on reason build resolve 30 (That column of true majesty in man,) Assist me: I will thank you in the grave; The grave your kingdom: there this frame shall fall A victim sacred to your dreary shrine. But what are ye ? 35 Thou who didst put to flight Primeval Silence, when the morning stars, 45 Exulting, shouted o'er the rising ball; 50 The bell strikes one. We take no note of time 55 But from its loss: to give it then a tongue Where are they? With the years beyond the flood. 60 |