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" ... the part of the reader; from the rapid flow, the quick change, and the playful nature of the thoughts and images; and, above all, from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those... "
The Athenaeum and Literary Chronicle - Page 179
1829
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The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 3

Samuel Taylor Coleridge - 1864 - 772 pages
...detraet from the pleasure of a delieate mind, yet never was poem less dangerous on a moral aeeount. Instead of doing as Ariosto, and as, still more offensively,...passion into appetite, the trials of love into the struggles of eoneupiseenee ; — Shakspeare has here represented the animal impulse itself, so as to...
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Lectures and Notes on Shakspere and Other English Poets

Samuel Taylor Coleridge - 1883 - 544 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst; that though the very subject cannot but detract...passion into appetite, the trials of love into the struggles of concupiscence, Shakspere has here represented the animal impulse itself, so as to preclude...
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The Works of Shakespeare ...

William Shakespeare - 1883 - 972 pages
...uticr aloofness of the Poet's own feelings, from those of which lie is at once the painter and the analyst; that though the very subject cannot but detract from the pleasure of a delicate mind, vet never was poem less dangerous on a moral account. fnsiond of doing as Ariosto. and as, still more...
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The Works of Shakespeare: the Text Carefully Restored According to the First ...

William Shakespeare - 1883 - 596 pages
...the utter aloofness of the Poet's own feelings, from those of which he is at once the painter and the analyst; that though the very subject cannot but detract from the pleasure of a delicaie mind, yet never was poem less dangerous on a moral account. Instead of doing as Ariosto, and...
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Biographia Literaria: Or, Biographical Sketches of My Literary Life and ...

Samuel Taylor Coleridge - 1884 - 482 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst ; that though the very subject cannot but...and as, still more offensively, Wieland has done; mstead of degrading and deforming passion into appetite, the trials of love into the struggles of concupiscence,...
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Poems. Sonnets

William Shakespeare - 1884 - 424 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, — that though the very subject cannot but...never was poem less dangerous on a moral account." * Coleridge, in the preceding chapter of his Literary Life, says : " During the first year that Mr....
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Life. Hist. drama. Poems

William Shakespeare - 1887 - 596 pages
...the utter aloofness of the Poet's own feelings, from those of which he is at once the painter and the analyst; that though the very subject cannot but detract...doing as Ariosto, and as, still more offensively, Wie!and has done; instead of degrading and deforming passion into appetite, the trials of love into...
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Shakespeare's Poems: Venus and Adonis, Lucrece, Sonnets, Etc

William Shakespeare - 1890 - 432 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, — that though the very subject cannot but...never was poem less dangerous on a moral account."* Coleridge, in the preceding chapter of his Literary Life, says : " During the first year that Mr. Wordsworth...
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Biographia Literaria: Or, Biographical Sketches of My Literary Life and ...

Samuel Taylor Coleridge - 1891 - 484 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst; that though the very subject cannot but detract...and as, still more offensively, Wieland has done; .•nstead of degrading and deforming passion into appetite, the trials of love into the struggles...
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Literary Criticism for Students

Edward Tompkins McLaughlin - 1893 - 288 pages
...the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst, — that though the very subject cannot but...doing as Ariosto, and as, still more offensively, Weiland has done ; instead of degrading and deforming passion into appetite, the trials of love into...
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