 | Dieter Mehl - 1986 - 286 pages
...a dreadful thing And the first motion, all the interim is Like a phantasma or a hideous dream. 140 The genius and the mortal instruments Are then in...kingdom, suffers then The nature of an insurrection. (11.1.63-9) The way crucial moral experiences are dramatized is very similar to that in the 'great'... | |
 | Wolfgang Clemen - 1987 - 232 pages
...a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: 65 The genius and the mortal instruments Are then in...kingdom, suffers then The nature of an insurrection. Enter Lucius. Luc. Sir, 'tis your brother Cassius at the door, 70 Who doth desire to see you. Bru.... | |
 | Richard P. Blackmur - 1989 - 312 pages
...and sensitive mind. One thinks of Brutus, in Shakespeare's play, just before the murder of Caesar: The Genius and the mortal instruments Are then in...kingdom suffers then The nature of an insurrection. But where Brutus acted upon the stage of history and in the dimensions of a hero. Captain Vere acted... | |
 | Murray Cox, Alice Theilgaard - 1994 - 482 pages
...'Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: The genius and the mortal instruments...kingdom, suffers then The nature of an insurrection.' [Julius Caesar II. 1.63) There is no ubiquitous psychopathology of homicide. 'Between the acting of... | |
 | Peter J. Leithart - 1996 - 288 pages
...slept. Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma or a hideous dream. The genius and the mortal instruments...kingdom, suffers then The nature of an insurrection. (2.1.61-69) We cannot imagine that Cassius lost any sleep or that he would have called the assassination... | |
 | William Shakespeare - 1996 - 1290 pages
...slept. Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma ver won, Save base authority from others' books. These Enter LUCIUS. LUCIUS. Sir, 'tis your brother Cassius at the door, Who doth desire to see you. Is he... | |
 | B. C. Southam - 1996 - 292 pages
...cf. Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: The genius and the mortal instruments...kingdom, suffers then The nature of an insurrection. (Julius Caesar n, i, see note ii, page 2.04) But there may have been a more immediate allusion. Eliot... | |
 | Jonathan Baldo - 1996 - 228 pages
...slept. Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: The genius and the mortal instruments...kingdom, suffers then The nature of an insurrection. (2.1.61-69) The generalizing rhetoric of this speech subtly counteracts the problem it describes. The... | |
 | William Shakespeare - 1996 - 318 pages
...a play on 'civil' as referring to an action in civil rather than criminal law. Compare JC 2.1.66-9: 'The Genius and the mortal instruments / Are then...kingdom, suffers then / The nature of an insurrection.' 35, 71, 108, and 154 are the only sonnets in which Shakespeare runs the syntax on into the final couplet.... | |
 | Ronald Schuchard - 1999 - 293 pages
...Superior Landlord," a five-page typescript (Kings 's) related to Sweeney Agonistes. Brutus continues: The Genius and the mortal instruments Are then in...kingdom, suffers then The nature of an insurrection (66-69). 16. "The Duchess of Malfy," Listener 26 (18 December 1941), 8. 17. "Beyle and Balzac," p.... | |
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Tis good. Go to the gate ; somebody knocks. [Exit Lucius. Since Cassius first did whet me against Caesar, I have not slept. Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The Genius,... 
